Theory

Open call: Social Housing - Housing the Social
kuda.

How can you be at home in an alien world?
November 2 - 3, 2011
9 AM - 11 PM
The Labour of the Multitude? The Political Eeonomy of Social Creativity
kuda.

THE LABOUR OF THE MULTITUDE? THE POLITICAL ECONOMY OF SOCIAL CREATIVITY
20-22.10.2011, Warsaw

INTERNATIONAL CONFERENCE OF THE FREE/SLOW UNIVERSITY OF WARSAW
OPEN CALL FOR CONTRIBUTIONS

list of confirmed speakers: Luc Boltanski, Neil Cummings, Diedrich Diederichsen, Matteo Pasquinelli, John Roberts, Gigi Roggero, Martha Rosler, Hito Steyerl

curatorial team of the conference: Michał Kozłowski, Agnieszka Kurant, Jan Sowa, Krystian Szadkowski, Kuba Szreder
Collaborative Change? - Commons, Networks, Exchange
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Thursday 14th July, Wood Quay Venue, Dublin
http://2011.photoireland.org/on/collaborative-change/

This one-day symposium Collaborative Change? - Commons, Networks, Exchange investigates emerging possibilities around collaboration, sharing and exchange and collective models of production, consumption, and ownership across a number of arts and non-arts fields.
In the engine room: working conditions for cultural workers, Meeting in the Cultural Center REX, Belgrade
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Cultural Center Rex, Belgrade, Jevrejska 16
http://www.rex.b92.net/en.html
Sunday 26 June, 6 pm
Monday, 27 June, 7 pm

Cultural Center Rex invites you to a meeting, presentation and discussion with groups of cultural workers from Spain, Slovenia and Serbia. The common theme of the gathering, bringing together the Radical Education Collective, Workers' Inquiry Group and their Serbian colleagues, scheduled for Sunday and Monday evening at REX is the working conditions for cultural workers.
Seminar-Meeting Publications on (not only) art: cultural, social and political uses
kuda.

15th - 18th June 2011, Sevilla, Spain

Organised by: UNIA arteypensamiento and Centro experimental y tecnológico para la cultura y las artes de Sevilla.

Co-ordination: Pablo Lafuente (Afterall), Pauline van Mourik Broekman (Mute) and Joaquín Vázquez (BNV Producciones)

http://ayp.unia.es/index.php?option=com_content&task=view&id=666

The present diversification and fragmentation of the public for art coincides with a certain level of maturity in the use of new technologies in distributing publications and a proliferation of research in artistic contexts, making it necessary to take a fresh look at how critical discourses on art, culture and politics are produced and disseminated.
Content