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Home » Individual Utopia Now and Then, 2009-11 » Alternative Economics, Alternative Societies, 2005

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Home » Individual Utopia Now and Then, 2009-11 » Alternative Economics, Alternative Societies, 2005
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  • Srpski
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  • OPEN BARRACKS - TV show, kuda.org
  • Fourth program of films Želimir Žilnik - Shadow Citizens, from 4th to 17th of June, 2018
  • Online screening of 2 films directed by Želimir Žilnik from 6 May 2018 to 17 May 2018, as part of the exhibition: WHW | Želimir Žilnik: Shadows Citizens
  • kuda.
    Discussion I(DEOLOGY) D(ESIGN) OR NOTHING, 13.11.2009.
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    Ideology of Design: Lecture by Feđa Vukić from Zagreb, Friday, October 30, 2009
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    A3.Format Group at the exhibition ID: Ideology of Design

    A3.Format Group 29,7x42cm. www.a3format.org www.a3format.blogspot.com
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    Individual Utopias Now and Then

    The Project  INDIVIDUAL UTOPIAS NOW and THEN – designed as a long-term research and production project with multidisciplinary and multimedia approaches, focused on artistic practices and different media phenomena (individual and collective) and their perception, valuation and influence on the experiences of transition societies from perspectives of different generations.
  • OPEN BARRACKS
  • Interview with Dunja Blažević (ZVONO Group)
  • kuda.org
    An introduction to the past - Boris Buden and Želimir Žilnik
  • Online Screening 1 of Želimir Žilnik od 22 April – 6 Maj 2018., Želimir Žilnik, Shadow Citizens
  • WHW | Želimir Žilnik, Shadow Citizens, April 19 – June 17, 2018, Edith-Russ-Haus for Media Art, Germany
  • kuda.
    The exhibition ID: IDEOLOGY OF DESIGN

    Exhibition ID: Ideology of Design Curators and production of the exhibition: New Media Center_kuda.org 23 October – 23 November, 2009 Museum of Contemporary Art of Vojvodina, Dunavska St. 37, Novi Sad
  • kuda.
    The Exhibition "ALTERNATIVE ECONOMICS, ALTERNATIVE SOCIETIES", Oliver Ressler

    The exhibition "Alternative Economics, Alternative Societies" focuses on diverse concepts and models for alternative economies and societies, which all have in common a rejection of the capitalist system of rule. In the specific context of Serbia and Montenegro, which is facing one of the most "painful" processes of transition and "predatory" capitalism implementation in the region, this art exhibition offers solutions and examples of concrete models of political and social organizing realized in different parts of the world and in different historical epochs. In the context of extremely right-wing politics in Serbia and these incredibly fast economic transformation processes, there is a conviction that the exhibitions have the potential to appeal on questioning and rethinking the local system of rule and to create the bases for thinking about social and economic alternatives.

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