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  • Center_kuda.org is a non-profit self-organized civic association focused on experimental and critical arts. Founded 2001 in Novi Sad, Serbia, Center_kuda.org is established as a permanent physical, organizational and human infrastructure. It gathers artists, architects, sociologists, IT developers, theoreticians, engineers, researchers, autodidacts, scientists, etc. We focus on experimentation in arts, sound installation, cross disciplinary works and experimental extracurricular education. We aim to expand our space as a research arts laboratory where inter-disciplinary lines can overlap to create projects that explore processes and techniques, address social, political, cultural and critical issues.

    Centar_kuda.org projects often have elements of transmission from artistic production to social criticism and vice versa. Emphasis is placed on artistic interventions that both include social activism and deal with universal problems in the production of visual arts, music, spatial and other interventions. The activities of the Center are developed on several levels: local and international, in the artistic and socially activist way. The programs also vary in terms of duration - some are quick and short public actions or reactions to the environment, while others are research-based programs requiring long-term commitment and investment. The framework of activities is based on dynamic merging of the expansion of direct social actions and questioning the autonomy of contemporary art in contemporary society. This scope of our work represents an empty space in the cultural landscape of Serbia, not covered by either cultural institutions or research centres.

    The specific environment in which we operate, that is, Serbia in the period of transformation, characterised by the change in the ideological paradigm from socialism to capitalism, and by processes of privatisation (often accompanied by irregularities and corruption) and commercialisation of culture, have had an impact on the nature of our work and our tactical approach in relation to the dominant nationalist/populist politics, which significantly affects cultural politics and the work conditions for organizations outside of the state-supported system.

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  • Srpski
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  • Public conversation with Sabina Sabolović - WHW at the Curatorial workshop
  • kuda.
    Public conversation: Irit Rogoff and Branislav Dimitrijević at the Curatorial workshop
  • kuda.
    tranzit. hu: Curating and the Educational Turn - Seminar with Paul O’Neill and Mick Wilson

    The June Seminar of the Free School for Art Theory and Practice will be led by Paul O’Neill and Mick Wilson.

    Program:
    June 16, 6 p.m. Paul O’Neill public lecture
    The Exhibition as an Emergent, Co-productive Medium and Three Principal Categories of Organisation: the Background, the Middle-ground and the Foreground

  • kuda.
    MANGELOS Award: Curatorial workshop "Towards Curating as a Critical Practice"
  • Art Residency Programs
  • kuda.
    Festival and conference - transmediale.11

    BODY:REPONSE conference of transmediale.11
    taking place from Thur, 3 Feb to Sun 6 Feb 2011 in the Haus der Kulturen der Welt (www.hkw.de)
    www.transmediale.de

  • kuda.
    INtoOUTREACH

    INtoOUTREACH - Re-enactment of the unknown
    Program establishing a new forms of collaboration in production and distribution of culture

  • kuda.
    grey) (area, program 2010

    grey) (area - space of contemporary and media art, Korčula, Croatia

    ::: program 2010 :::

    19 . 7 - 7 . 8
    opening Monday 19th July 21 - 23 h
    Dalibor Martinis: TV news 04. 09. 1974.
    video

  • kuda.
    The Public School

    Deadlock: perpetual war, failing economies, the crumbling of education, capitalist realism,
    our environment in ruin, hostility everywhere.

    Resistance? Confrontation? Insurrection?

    Exodus: silence, autonomy, occupation, withdrawal, invisibility, friendship.

  • kuda.
    Map Fest 2010

    Map Fest 2010
    Makes the invisible visible

    On 6, 8 and 9 July, Mediamatic organizes Map Fest. The event brings together kindred spirits to explore, create, define and oppose maps. Map Fest will be divided over three nights. Alternative maps and visualizations will offer you a different view on the world.

    July 6 (starting 17.30!) Mapping for change

  • kuda.
    Izložba i razgovori na temu RESIDENCY CULTURE
  • kuda.
    RESIDENCY CULTURE - The Exhibition and Open Talks
  • kuda.
    Performing stream, radionica Nadhan Chirco

    PERFORMING STREAM / Radionica NHANDAN CHIRCO Akademija umetnosti NOVI SAD 20 - 21. mart / 11-15h INFO : [email protected] +381 (0)64 8208419 / +381 (0)62 507930 O radionici:

  • kuda.
    ID: IDENTITY - Workshop by the initiative OPEN DESIGN STUDIO at the opening of the exhibition ID: Ideology of Design

    Projects: ID: DEADLINE, ID: IDENTITY
    Authors: Marko Brkić, Katarina Lukić Balažikova

    ID: IDENTITY
    Collaborative work on the logo of exhibition ID:Ideology

    Opening process: October 23rd, 2009. (during exhibition opening) – November 22nd, 2009. (closing process – day before the closing of the exhibition)
    http://www.id-identity.org

  • kuda.
    OPEN DESIGN STUDIO in Novi Sad

    15 - 28.10.2008
    Gallery of ULUV, Association of visual artists of Vojvodina
    Bulevar Mihajla Pupina 9, Novi Sad

    http://www.opendesignstudio.net/

  • kuda.
    workshop 02: Anty-Anty Piracy Campaign with Critical Art Ensemble

    Members of art, technology, radical politics and critical theory collective from USA, Critical Art Ensemble, have been working with young people in Novi Sad concerned with new and just passed law against piracy in Serbia. This law was passed in April 2003 as one of direct consequences of government action after assassination of Serbian prime minister Zoran Djindjic. New laws against terrorism were passed and piracy fell in category of criminal acts. Law against piracy is on and it's very cruel: person could get from 5 to 8 years in prison for copying, redistributing and unauthorized public presentation of some copyrighted piece. A thousand of CD shops are now closed, street dealers cannot sell pirate CD's anymore and some people got arrested because of this illegal action. Still, piracy industry is live and vivid, and it's functioning through not so visible channels. It would be just great that piracy, formed as a kind of habit in Serbian society, could be understood as a collective consciousness of people here about importance of copyleft and idea of sharing. But, it is only the matter of collective poverty. Somewhere between government's urge for fast and visible political earnings and adaptation to standards and legislative of Western Europe trade markets, Serbian law against piracy exists as completely inadequate and premature step that devastates already poor information distribution.

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