- (-) Remove The Continuous Art Class, 2005 filter The Continuous Art Class, 2005
- Networks & initiatives (42) Apply Networks & initiatives filter
- Artist organisation (41) Apply Artist organisation filter
- Projects (41) Apply Projects filter
- Novi oblici istraživanja savremene muzike (40) Apply Novi oblici istraživanja savremene muzike filter
- Vectors of Collective Imagination (38) Apply Vectors of Collective Imagination filter
- Aesthetic Education Expanded, 2015-17 (22) Apply Aesthetic Education Expanded, 2015-17 filter
- kuda.read publications (19) Apply kuda.read publications filter
- kuda.lounge archive (17) Apply kuda.lounge archive filter
- Art Always Has Its Consequences, 2008-2010 (13) Apply Art Always Has Its Consequences, 2008-2010 filter
- Individual Utopia Now and Then, 2009-11 (13) Apply Individual Utopia Now and Then, 2009-11 filter
- Aesthetic Education Expanded, 2012-14 (12) Apply Aesthetic Education Expanded, 2012-14 filter
- Residency programs, since 2003 (8) Apply Residency programs, since 2003 filter
- INtoOUTREACH, 2011-12 (7) Apply INtoOUTREACH, 2011-12 filter
- Local politics (7) Apply Local politics filter
- LOST & FoUND / Izgubljeno-Nađeno (7) Apply LOST & FoUND / Izgubljeno-Nađeno filter
- Political practices of (post-) Yugoslav art, 2009 (7) Apply Political practices of (post-) Yugoslav art, 2009 filter
- ID: Ideology of Design, 2010 (6) Apply ID: Ideology of Design, 2010 filter
- Omladinski društveni centar CK13 (6) Apply Omladinski društveni centar CK13 filter
- Resource Center for Local Activism (6) Apply Resource Center for Local Activism filter
- Tehnologije umetničkog stvaralaštva (5) Apply Tehnologije umetničkog stvaralaštva filter
- Dictionary of War, 2008 (4) Apply Dictionary of War, 2008 filter
- Publications "The Continuous Art Class" (4) Apply Publications "The Continuous Art Class" filter
- World-Information.Org, 2003 (4) Apply World-Information.Org, 2003 filter
- Art production "The Continuous Art Class" (3) Apply Art production "The Continuous Art Class" filter
- Mapping of Right-Wing Extremism, 2004 (3) Apply Mapping of Right-Wing Extremism, 2004 filter
- Peripheral Visions - towards a trans(l)national publishing culture (3) Apply Peripheral Visions - towards a trans(l)national publishing culture filter
- Alternative Economics, Alternative Societies, 2005 (2) Apply Alternative Economics, Alternative Societies, 2005 filter
- Exhibition "I love you [rev.eng]", 2006 (2) Apply Exhibition "I love you [rev.eng]", 2006 filter
- Lokalne politike i urbana samouprava (2) Apply Lokalne politike i urbana samouprava filter
- Conference „Trans_European Picnic“, 2004 (1) Apply Conference „Trans_European Picnic“, 2004 filter
- Exhibitions "Media Ontology" (1) Apply Exhibitions "Media Ontology" filter
- Exhibitions "The Continuous Art Class" (1) Apply Exhibitions "The Continuous Art Class" filter
- Media art practice collection of MoCAV, 2010 (1) Apply Media art practice collection of MoCAV, 2010 filter
- Mobile Lab, 2006 (1) Apply Mobile Lab, 2006 filter
- Zajednice učenja / Communities of learning (1) Apply Zajednice učenja / Communities of learning filter
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
KING OF THE FOREST OR AN ATTEMPT TO GET DIRTY A Tale "King of the Forest or an Attempt to Get Dirty", Slobodan Tišma "King of the Forest", multimedia pseudo-opera Short story: Slobodan Tišma "Trans_European Forum: Art and Media in Transition", May 2004 KING OF THE FOREST OR AN ATTEMPT TO DIRT with nature, with animal homeostasis.”Slavoj Žižek, The Sublime Object of Ideology
-
Bogdanka and Dejan Poznanović were very important people on the Yugoslavian cultural scene in the last decades of the 20th century. With their work on the 'Youth Tribune', they represented the social integrators of the then cultural scene in Novi Sad with the cultural space of Yugoslavia and Europe. Poznanovićs was one of the founders of the 'Youth Tribune', which promoted new understandings in art and literature as opposed to the official propaganda of 'socialist realism. At that time, the 'tribune' was a meeting place for forbearers of new tendencies in culture, such as Vasko Popa, Oskar Davičo, Miodrag Pavlović, Branko Miljković, Tomaž Šalamun, Michelangelo Pistoleto, Marina Abramović, Slovenian, Macedonian, Croatian and artists from all over Yugoslavia. In the period from 1954, the Tribune was a place of integration of artists from Novi Sad and Vojvodina, whose critical and conceptual work influenced the formation of a unique cultural identity of this area. Among these artists are Slavko Bogdanović, Miroslav Mandić, Slobodan Tišma, Mirko Radojičić, Čeda Drča, Vladimir Kopicl, the Bosch + Bosch group, the OHO group, etc.
-
Public discussion "Omitted history" on the occasion of the opening of the exhibition, 18.11.2005.
Discussion moderator: Želimir Žilnik, film director, Novi Sad
Discussion participants:
Dr. Zvonko Maković, art historian, Head of the Department of Art History at the Faculty of Philosophy in Zagreb
Dr. Latinka Perović, historian, Belgrade
Dr. Nebojsa Popov, sociologist, editor of the magazine "Republika", Belgrade
Lazar Stojanović, film director, Belgrade
-
-
