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  • Center_kuda.org is a non-profit self-organized civic association focused on experimental and critical arts. Founded 2001 in Novi Sad, Serbia, Center_kuda.org is established as a permanent physical, organizational and human infrastructure. It gathers artists, architects, sociologists, IT developers, theoreticians, engineers, researchers, autodidacts, scientists, etc. We focus on experimentation in arts, sound installation, cross disciplinary works and experimental extracurricular education. We aim to expand our space as a research arts laboratory where inter-disciplinary lines can overlap to create projects that explore processes and techniques, address social, political, cultural and critical issues.

    Centar_kuda.org projects often have elements of transmission from artistic production to social criticism and vice versa. Emphasis is placed on artistic interventions that both include social activism and deal with universal problems in the production of visual arts, music, spatial and other interventions. The activities of the Center are developed on several levels: local and international, in the artistic and socially activist way. The programs also vary in terms of duration - some are quick and short public actions or reactions to the environment, while others are research-based programs requiring long-term commitment and investment. The framework of activities is based on dynamic merging of the expansion of direct social actions and questioning the autonomy of contemporary art in contemporary society. This scope of our work represents an empty space in the cultural landscape of Serbia, not covered by either cultural institutions or research centres.

    The specific environment in which we operate, that is, Serbia in the period of transformation, characterised by the change in the ideological paradigm from socialism to capitalism, and by processes of privatisation (often accompanied by irregularities and corruption) and commercialisation of culture, have had an impact on the nature of our work and our tactical approach in relation to the dominant nationalist/populist politics, which significantly affects cultural politics and the work conditions for organizations outside of the state-supported system.

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  • Networks & initiatives (51) Apply Networks & initiatives filter
  • Novi oblici istraživanja savremene muzike (50) Apply Novi oblici istraživanja savremene muzike filter
  • Artist organisation (41) Apply Artist organisation filter
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  • Vectors of Collective Imagination (38) Apply Vectors of Collective Imagination filter
  • The Continuous Art Class, 2005 (29) Apply The Continuous Art Class, 2005 filter
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  • Peripheral Visions - towards a trans(l)national publishing culture (15) Apply Peripheral Visions - towards a trans(l)national publishing culture filter
  • Art Always Has Its Consequences, 2008-2010 (13) Apply Art Always Has Its Consequences, 2008-2010 filter
  • Individual Utopia Now and Then, 2009-11 (13) Apply Individual Utopia Now and Then, 2009-11 filter
  • Aesthetic Education Expanded, 2012-14 (12) Apply Aesthetic Education Expanded, 2012-14 filter
  • LOST & FoUND / Izgubljeno-Nađeno (8) Apply LOST & FoUND / Izgubljeno-Nađeno filter
  • Political practices of (post-) Yugoslav art, 2009 (8) Apply Political practices of (post-) Yugoslav art, 2009 filter
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  • INtoOUTREACH, 2011-12 (7) Apply INtoOUTREACH, 2011-12 filter
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  • ID: Ideology of Design, 2010 (6) Apply ID: Ideology of Design, 2010 filter
  • Omladinski društveni centar CK13 (6) Apply Omladinski društveni centar CK13 filter
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  • Dictionary of War, 2008 (4) Apply Dictionary of War, 2008 filter
  • Publications "The Continuous Art Class" (4) Apply Publications "The Continuous Art Class" filter
  • World-Information.Org, 2003 (4) Apply World-Information.Org, 2003 filter
  • Art production "The Continuous Art Class" (3) Apply Art production "The Continuous Art Class" filter
  • Mapping of Right-Wing Extremism, 2004 (3) Apply Mapping of Right-Wing Extremism, 2004 filter
  • Alternative Economics, Alternative Societies, 2005 (2) Apply Alternative Economics, Alternative Societies, 2005 filter
  • Exhibition "I love you [rev.eng]", 2006 (2) Apply Exhibition "I love you [rev.eng]", 2006 filter
  • Lokalne politike i urbana samouprava (2) Apply Lokalne politike i urbana samouprava filter
  • Conference „Trans_European Picnic“, 2004 (1) Apply Conference „Trans_European Picnic“, 2004 filter
  • Exhibitions "Media Ontology" (1) Apply Exhibitions "Media Ontology" filter
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  • Media art practice collection of MoCAV, 2010 (1) Apply Media art practice collection of MoCAV, 2010 filter
  • Mobile Lab, 2006 (1) Apply Mobile Lab, 2006 filter
  • Zajednice učenja / Communities of learning (1) Apply Zajednice učenja / Communities of learning filter
  • Srpski
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  • kuda.
    "Kenedi Is Getting Married", A new documentary-feature film by Želimir Žilnik
  • kuda.
    CONTINENTAL DRIFTS, modular and experimental seminar, Gallery Nova, Zagreb

     

     

  • kuda.
    Photos from the exhibition "TV Gallery" at the Nova Gallery in Zagreb
  • kuda.
    CREATIVE COMMONS Serbia, license launch and festival, Saturday 15.12. Belgrade
  • Presentation and screenings of films by the collective of filmmakers RaFILM from Sweden, 13.12. 8pm, Youth Center CK13
  • kuda.
    Presentation of the RoToR group, Barcelona, Monday 10.12. at 7 pm, Youth Center CK13, Novi Sad
  • kuda.
    Presentation and discussion: MONUMENTS - POLITICS OF MEMORY, PRESENTATION OF THE MONUMENT GROUP
  • kuda.
    Discussion and exhibition: HACKER CULTURE - history of possible alternatives of the future technologies
  • kuda.
    JUDITA ŠALGO - THE CHRONICLE
  • kuda.
    Call for a public discussion on the first draft of the Serbian Creative Commons license
  • kuda.
    Book promotion: GIORGIO AGAMBEN: HOMO SACER - Sovereign Power and Bare Life

    Book promotion:

    Friday, February 9, 19:00

    Cinema hall of the Museum of Contemporary Art of Vojvodina Museum of Vojvodina,

    Dunavska 37, Novi Sad

    *** GIORGIO AGAMBEN: HOMO SACER - Sovereign Power and Bare Life ***

  • kuda.
    MANIFESTO Anti-fascist actions of Novi Sad on the occasion of November 9th, the International Day Against Fascism and Antisemitism

    MANIFESTO

    Anti-fascist actions of Novi Sad on the occasion of November 9th

    International Day Against Fascism and Antisemitism

  • kuda.
    Documentation: "Prohibition due to lies and insults", Novosti, 11.12.1971.
  • kuda.
    Documentation: "Open letter to the Yugoslav public", Student 4/71, February 23, 1971.
  • kuda.
    Dokumentacija: "Heralds of insolences", Dnevnik, 11 (12?). 02. 1971.
  • kuda.
    Documentation: "Exhibition of swears", Novosti, 30.01.1971.
  • kuda.
    Documentation: "What will happen to the Youth Tribune?", Index 205, 11.11.1970.
  • kuda.
    Documentation: "The vague notion of the avant-garde", Novosti, 26.05.1970.
  • kuda.
    "King of the Forest", a multimedia pseudo-opera

    KING OF THE FOREST OR AN ATTEMPT TO GET DIRTY A Tale "King of the Forest or an Attempt to Get Dirty", Slobodan Tišma "King of the Forest", multimedia pseudo-opera Short story: Slobodan Tišma "Trans_European Forum: Art and Media in Transition", May 2004 KING OF THE FOREST OR AN ATTEMPT TO DIRT with nature, with animal homeostasis.”Slavoj Žižek, The Sublime Object of Ideology

  • kuda.
    Legacy of Bogdanka and Dejan Poznanović

    Bogdanka and Dejan Poznanović were very important people on the Yugoslavian cultural scene in the last decades of the 20th century. With their work on the 'Youth Tribune', they represented the social integrators of the then cultural scene in Novi Sad with the cultural space of Yugoslavia and Europe. Poznanovićs was one of the founders of the 'Youth Tribune', which promoted new understandings in art and literature as opposed to the official propaganda of 'socialist realism. At that time, the 'tribune' was a meeting place for forbearers of new tendencies in culture, such as Vasko Popa, Oskar Davičo, Miodrag Pavlović, Branko Miljković, Tomaž Šalamun, Michelangelo Pistoleto, Marina Abramović, Slovenian, Macedonian, Croatian and artists from all over Yugoslavia. In the period from 1954, the Tribune was a place of integration of artists from Novi Sad and Vojvodina, whose critical and conceptual work influenced the formation of a unique cultural identity of this area. Among these artists are Slavko Bogdanović, Miroslav Mandić, Slobodan Tišma, Mirko Radojičić, Čeda Drča, Vladimir Kopicl, the Bosch + Bosch group, the OHO group, etc.

     

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